self
2017-2019
Revolving around observations and reflections of self, the works in this ‘thought’ explore self-positioning with daily life structure. Exploring ambiguity and indeterminacy, as well as closure, experimentation with visible light-per
LOOKING IN
2015
Installation: 3m x 3m x 3m
20 drawings: Charcoal, pencil, ink on
tracing paper.
'Looking in' installation consists of more than 20 multi-material artworks arranged in a spiral, which illustrates the process of diving into the human skin structure, and re-create multiple levels of the ID, the Ego, and Superego of Freud's theory

MORE THAN HUMAN
2017
4 drawings and 1 sculpture
‘More than human’ exploits human sentiments based on the decomposition result.

TOWER OF A CITY MAN 2
2018
3m x 3m x 4m
The work constructs a spontaneous 'castle' from 200 acrylic cubes and found-objects, and create a castle from daily ‘debris' trash such as bills, dried flowers, food packaging

WORDS
Adopting words and their sense of repetition,
artworks in this series explore the weight of verbal through visual impact. Nice words are repeated unconsciously until the feeling of violence and intimidation is created.

It is a nice words, 2017
Video and Installation
world
2018-2022
Works in 'World' series feature visual observations and contrasts between vast flows such as lands, rivers, the universe, the seabed, and internal human lines' such as blood vessels or cells
in between
2024- on going
In between are a series of multi-material experiments, driven by the desire to construct structures that simulate a fragmented, parallel world—where data from everyday life is tested, embedded, and encoded into visual traces.
IT IS A BEAUTIFUL WORLD
2017
Installation 3m x 3m x 7m
x-ray film, funeral flower, resin,
sound and UV light.
The installation creates a colorful garden, developed from materials associated with disease and death - including 200 lung x ray films and funeral wreaths - to chasing the way people perceive death in my culture, the boundaries between materials and the context of the object itself.

Chaosdowntown Artspace, Vietnam
*Private collection.
CLOUD
2021
Table: industrial foam, iron table, sequin, acrylic paint.
Frame: paper.
Website: digital AI tool installation 2m x 2m x 2m, round table dia 1m2, 100 fake profiles contents
Based on research and observations on the behavior of using online queer dating apps, the work Cloud is an installation combine between 2 structures: physical body & digital body. While the “physical' focuses on parodying the behaviors of viewing and reading artwork, the 'digital' focuses on stereotypes. The whole work metaphor about the transience and futility of Understanding.

SKIN
2022 - on going
Digital drawing, plastic print, photo documentary
Inspiration from Oriental images such as ink wash paintings and religious deities, SKIN is an experimental projects aim to examine the 'presence' of body image, and reflect the identity of human beings.

DATA I_ĐẤT
2023
Installation, burning paper, drawing, safety band
4m x 8m x 10m
Exploring the boundaries between the mythical yet seemingly tangible imagination of Vietnam’s four sacred creatures: Long (Dragon), Lân (Qilin), Quy (Turtle), and Phụng (Phoenix).






