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self

2017-2019

Revolving around observations and reflections of self, the works in this ‘thought’ explore self-positioning with daily life structure. Exploring ambiguity and indeterminacy, as well as closure, experimentation with visible light-per

LOOKING IN

2015
Installation: 3m x 3m x 3m
20 drawings: Charcoal, pencil, ink on
tracing paper.

'Looking in' installation consists of more than 20 multi-material artworks arranged in a spiral, which illustrates the process of diving into the human skin structure, and re-create multiple levels of the ID, the Ego, and Superego of Freud's theory

MORE THAN HUMAN

2017
4 drawings and 1 sculpture

‘More than human’ exploits human sentiments based on the decomposition result.

TOWER OF A CITY MAN 2

2018

3m x 3m x 4m

The work constructs a spontaneous 'castle' from 200 acrylic cubes and found-objects, and create a castle from daily ‘debris' trash such as bills, dried flowers, food packaging

WORDS

​Adopting words and their sense of repetition,
artworks in this series explore the weight of verbal through visual impact. Nice words are repeated unconsciously until the feeling of violence and intimidation is created.

It is a nice words, 2017

Video and Installation

world

2018-2022

Works in 'World' series feature visual observations and contrasts between vast flows such as lands, rivers, the universe, the seabed, and internal human lines' such as blood vessels or cells

LAND

2018, 2019

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VEINS

2019, 2020 

in between

2024- on going

In between are a series of multi-material experiments, driven by the desire to construct structures that simulate a fragmented, parallel world—where data from everyday life is tested, embedded, and encoded into visual traces.

IT IS A BEAUTIFUL WORLD

2017
Installation 3m x 3m x 7m
x-ray film, funeral flower, resin,
sound and UV light.

The installation creates a colorful garden, developed from materials associated with disease and death - including 200 lung x ray films and funeral wreaths - to chasing the way people perceive death in my culture, the boundaries between materials and the context of the object itself.

Chaosdowntown Artspace, Vietnam

*Private collection.

GLORIOUS ASHES

2017, 2028

IN BETWEEN SERIES

The works simulate familiar images of Oriental identity such as waterfall, moon, ink wash, feng shui painting.

DAILY HEAVEN FROM DAILY PHOTO (ON-GOING)​

Digital drawing/collage

CLOUD

2021
Table: industrial foam, iron table, sequin, acrylic paint.
Frame: paper.
Website: digital AI tool installation 2m x 2m x 2m, round table dia 1m2, 100 fake profiles contents

Based on research and observations on the behavior of using online queer dating apps, the work Cloud is an installation combine between 2 structures: physical body & digital body. While the “physical' focuses on parodying the behaviors of viewing and reading artwork, the 'digital' focuses on stereotypes. The whole work metaphor about the transience and futility of Understanding.

SKIN

2022 - on going
Digital drawing, plastic print, photo documentary

Inspiration from Oriental images such as ink wash paintings and religious deities, SKIN is an experimental projects aim to examine the 'presence' of body image, and reflect the identity of human beings.

DATA I_ĐẤT

2023
Installation, burning paper, drawing, safety band
4m x 8m x 10m

Exploring the boundaries between the mythical yet seemingly tangible imagination of Vietnam’s four sacred creatures: Long (Dragon), Lân (Qilin), Quy (Turtle), and Phụng (Phoenix).

DATA II_TRỜI

2024, 2025 

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